PROJECT: Reimagine Generational Portraits in Analogue Film
Project Overview
Reimagine is an analogue‑film portrait project exploring three generations of my family. Using the Mamiya RB67 medium‑format film camera, I set out to capture how time shapes identity, relationships, and physical presence.
Shot entirely on black‑and‑white 120 film, the project emphasises stillness, honesty, and the beauty of analogue imperfection. Each portrait was photographed in my mother’s home, using a single window for natural light and the same chair to highlight generational height and presence.
This project formed the core of my Unit A1 HNC Photography assignment.
Artistic Intent
This work reimagines traditional family portraiture through:
Analogue techniques rather than digital ease
Slow, deliberate image making
Film noir influences
Shadow‑based composition inspired by Vivian Maier
Themes of legacy, matriarchy, and connection
I wanted each subject to be comfortable and natural, no forced smiles, no artificial posing, creating honest images that feel timeless.
Process & Development
1. Research & Influences
Vivian Maier: shadows, reflections, self‑portraits
Film noir: contrast, low‑key lighting Documentary photographers who work quietly and respectfully
Conversations with tutors that helped refine direction
3. Equipment & Techniques
Mamiya RB67 medium format film camera
120 black‑and‑white film
Light meter app + manual adjustments
Epson V850 film scanner
Photoshop for dust removal, dodging, and burning
Final Portraits
Image Stacking
A digitally reimagined composite combining facial features from all three generations to explore:
Heritage
Shared traits
Identity over time
Behind the Scenes / Process Videos
Time-lapse of shooting
Darkroom processing
Cyanotype mixing & exposure
Gel plate trials
Booklet creation
Reimagined Outcomes
Cyanotype Series
Alternative blue-toned prints created through chemical hand-coating, UV exposure, and experimentation with:
Layering negatives
Adjusting exposure times
Citric acid & hydrogen peroxide baths
2. Test Shoots
I carried out multiple test sessions:
Initial indoor film noir shoot using a photography torch
Outdoor garden portraits (light too unpredictable)
Final indoor portraits in my mother’s home
Additional reimagined versions:
Cyanotypes
Gel‑plate prints
Image stacking (3 generation composite)
Gel Plate Prints
Textural analogue transfers created using:
Acrylic paint
Laser-printed negatives
Plate rolling & lift techniques
These versions push the images into a more experimental, handcrafted space.
Exhibition Installation
This work was displayed at Wicksteed Park Exhibition Centre.
The setup included:
Three main framed A2 analogue portraits
A printed booklet showcasing reimagined versions
A QR code linking to my website & behind‑the‑scenes videos
Clean layout with ample breathing space
Consideration for accessibility (including mobility access)
Artist Statement
This work revolves around the theme of generations. Vicky aimed to show the similarities and differences across three generations of her family by using a medium-format film camera. The photographs were taken inside her mother’s house, utilising the familiarity of home and the natural light from a single window. A familiar chair was used to visualise the height differences between the subjects. The family are not only central to Vicky’s life but also crucial in shaping who she has become. Vicky is inspired by a picture of her mother from when she was pregnant, a style she wanted to reimagine through analogue processes.
Vicky has discovered a love for analogue photography, particularly medium format film. It has enabled her to reimagine approaches to photography through new processes and techniques associated with analogue.
Using a larger format, particularly the Mamiya 6x7, has enabled a slower pace of work, given the more considered approach required by the functionality and processes involved in its operation.